Lukas Dhont's latest film, Coward, premiering at Cannes Film Festival on May 21, offers a tender take on the war genre, focusing on masculinity and forbidden love. The Belgian director, known for Girl and Close, explores unconventional narratives of World War I.
Challenging Masculinity in War
Dhont, whose previous work won the Grand Prix at Cannes, was drawn to the title Coward for its loaded implications. “Many men have been sent to their deaths out of fear of being called a 'coward,'” Dhont notes. His research uncovered stories of soldiers performing theater, cross-dressing, and forming deep connections, challenging traditional views of masculinity.
A Story of Love and Expression
The film follows Pierre, played by Emmanuel Macchia, a young Belgian soldier, and his romance with Francis, portrayed by Valentin Campagne. Francis, known for his flamboyant performances, provides a space for emotional expression amidst the war. Dhont states, “The camera often focuses on battles, but I wanted to highlight men creating and supporting each other.”
Historical Authenticity and Personal Connection
Dhont’s commitment to authenticity led him to film at a real World War I site in Belgium, an area he visits regularly due to personal ties. “Driving through these fields and seeing the cemeteries is a part of our lives,” he says. The film features songs performed during the war, discovered through extensive archival research.
Exploring the Idea of Cowardice
The film also examines the stigma around desertion. “I wanted to discuss those who chose to escape violence and how society judged them,” Dhont explains. The narrative raises questions about heroism and cowardice, confronting societal pressures on men to fight.
Source: https://www.hollywoodreporter.com/movies/movie-features/coward-lukas-dhont-war-film-cannes-1236592136/
