Jean Moulin, a hero of the French Resistance, is the focus of László Nemes's new film Moulin, which premiered at the Cannes Film Festival. The film portrays the grim last days of Moulin, who was captured by the Gestapo in Lyon and died in July 1943 after enduring torture.
Historical Drama Expertise
Hungarian director László Nemes is known for his historical dramas, having previously covered subjects such as the Hungarian Uprising and life in Nazi concentration camps. His acclaimed 2015 film Son of Saul used a unique close-camera technique to depict the horrors of a concentration camp. However, Moulin adopts a more straightforward approach, with period-accurate visuals reminiscent of an old newspaper.
A Grueling Procedural
The film begins with an espionage thriller feel, showing Moulin, played by Gilles Lellouche, as he prepares to become the first president of the National Council of the Resistance. The narrative shifts when a meeting is raided by the Gestapo, leading to Moulin's imprisonment and torture. Despite the lack of dramatic music or speeches, Nemes's depiction of Moulin's steadfastness against his captors is compelling. The film avoids graphic violence, though it hints at the brutality Moulin endured.
Performances and Direction
Gilles Lellouche portrays Moulin with a stoic demeanor, revealing glimpses of emotion towards the end of the film. Lars Eidinger plays Gestapo official Klaus Barbie, bringing a chilling energy to the role. Barbie's presence underscores the film's tension, though it also draws comparisons to portrayals of Nazis in other films, such as Ralph Fiennes in Schindler's List.
Focused Narrative
Screenwriter Olivier Demangel and Nemes keep the focus narrow, avoiding broader historical context or speculation about the betrayal that led to Moulin's capture. The film ends abruptly without summarizing Moulin's achievements or exploring the debate over his betrayal.
While Moulin may evoke patriotism among French viewers, its blunt portrayal of events may leave others questioning its purpose. As with Nemes's Son of Saul, the film raises questions about whether graphic depiction honors or exploits historical suffering.
Source: https://www.hollywoodreporter.com/movies/movie-reviews/moulin-review-laszlo-nemes-gilles-lellouche-lars-eidinger-1236598020/
