Marie Clémentine Dusabejambo's debut feature film, Ben’Imana, presented at Cannes, offers an intense exploration of the Rwandan genocide's aftermath through the eyes of women leading reconciliation efforts.
Decade-Long Research
Dusabejambo spent around ten years researching for Ben’Imana, gathering stories from both survivors and perpetrators. Her initial reactions were emotional, but she noted, “They’re not crying when they’re telling me this. Why am I crying?” This realization shaped the film's emotional tone.
From Electronics to Filmmaking
Originally planning to study electronics, Dusabejambo shifted to filmmaking after responding to a call for new directors. Her first short film, about a student affected by the genocide, laid the groundwork for Ben’Imana. “At that time I didn’t have knowledge of the weight of what happened during and after the genocide,” she recalls.
Focus on Forgiveness and Tradition
Ben’Imana centers on Vénéranda, played by Clémentine U. Nyirinkindi, a survivor leading community recovery, and her pregnant teenage daughter. The film explores themes of tradition versus modernity, gender roles, and the complex nature of forgiveness, showing Vénéranda's contrasting interactions with her daughter and other women.
Authentic Voices
Dusabejambo cast real women from the community with no acting experience, aiming for authenticity. “They bring in something that is real,” she says, guiding them with her deep understanding of their stories. The film's unique perspective is informed by Rwanda’s matriarchal society, where women hold indirect influence.
Dusabejambo emphasizes the community spirit behind Ben’Imana: “It’s a small community. We have been working together for a long time in the film industry in Rwanda. We coexist in collectivity.”
Source: https://www.hollywoodreporter.com/movies/movie-features/benimana-film-cannes-2026-hidden-gem-1236597917/
